2 nd Symphony in c minor "Resurrection" (1894)

Tuesday, October 17, 2000 20:00         200

2 nd Symphony in c minor – “Resurrection” (1894)
1st Movement: Allegro maestoso
2nd Movement: Andante moderato
3rd Movement: In Ruhig Fliessen der Bewegung
4th Movement: Urlicht, sehr Feierlich, aber Schlicht
5th Movement: In Tempo der Scherzo wild Herausfahrend;
Wieder sehr Breit; Ritardando maestoso;
Wieder Zuruckhaltend; Langsam misterioso;
Etwas Bewegter mit Aufschwung aber nicht eilen

Soprano:
Sonora Vaice

Mezzo-soprano:
Liang Ning

Conductor:
Gilbert Kaplan

Shanghai Symphony Orchestra
The Chorus of Shanghai Opera House Chorus
The Chorus of the Central Opera Theatre of China

Mahler’s Interpretation of His Symphony Nº 2
Mahler wrote some descripitions about his Symphony Nº 2The following is from his writing:

Movement I. Allegro Maestoso
“We are standing in front of the coffin of a once loved person .His whole life, his struggle, his enthusiasm, his suffering and his achievements appear to us once more. But now, an exciting voice holds everyone in awe : ‘What will come next? What is life? What is death? What did you live for? Why did you suffer?......Can we live forever? Is there any meaning in our life and death?’ We must answer these questions in certain forms ... but to this question, I will give the answer in the last movement.”

About the 5-minute Rest
Mahler encountered difficulties in deciding whether to have the Andante in Movement II. He felt there would be too extreme a contrast between the intensity of Movement I and the softness of the Andante movement. It would feel as if the andante movement was added afterwards. “this is my fault,” he said, “but don’t merely submit to the judgement of the audience.” His first decision was to make Movement III andante, and the symphony was first performed in 1894. When later he decided to make Movement II andante, he used an unusual treatment, which was asking the conductor to add a rest of at least 5 minutes, between Movement I and Movement II. At first, he asked for a break of 5 minutes, and later changed it to a rest of at least 5 minutes. This might be explained as providing the possibility of having an interval.

Movement II. Andante Moderato
“Memory: a loved one left the world. the sky is clear and the sun is shining bright. You must have the feeling that you have just buried a loved person. Perhaps you are on the way back home. There was a time of shared enjoyment that was once forgotten. Suddenly the sun rises in your heart – it is not in the least overshadowed – and you have almost forgot what happened a moment ago.

Movement III. In Ruhig Fliessen der Bewegung
“When you wake up from a dream of pure bliss, you have to come back to the chaotic life that is full of huge rolling waves. Suddenly it becomes dark and fearful, and the rolling crowds are dancing frantically in the brightly-lit hall. And you are in the darkness outside, starting into the hall – there is such a long distance that you can not hear the music...You can imagine that when one loses one’s mind and happiness, life becomes meaningless. The hateful life pinches him like iron pliers, and he cries miserably in an extreme panic.”

Movement IV. Urlicht, Sehr Feierlich, Aber Schlicht
“An innocent and touching voice is ringing in our ears: we are from God and will return to God . Dear Lord, please give us light and it will show me the way to life.”

Movement V In Tempo des Scherzo
“This movement will begin with a similar pain-stricken scream, and the scherzo will also end with the scream.”

“The caller’s voice is already heard, the trumpet of the Final Judgement will soon blow. The fear of this important date has filled the sky, and the earth is trembling....The rich and the poor, peasants and kings, all the churches and their bishops and priests are walking in the same group, weeping and trembling with the same fear... On the silent and wasted land lingers the crying of a dying bird... Finally it dies, too.

What we have been long expecting has happened: every life continues to live. The beautifully simple and soft singing of saints and angels are becoming louder and louder.”