Opera in 3 acts by Giacomo Puccini (1858-1924)
7 - 9/10/2005 晚上八時
Macao Cultural Centre Grand Auditorium
400
Libretto by Luigi Illica and Giuseppe Giacosa,
based on the play 'Madame Butterfly' by David Belasco
A production by The Fujiwara Opera
Conductor: Alberto Veronesi
Stage Director: Yasushiko Aguni
Revival Stage Director: Sigetaka Matsumoto
Fujiwara Opera Chorus Group
The Macao Orchestra
Cast |
|
Cio-Cio-San (Madama Butterfly) |
Sun Xiu Wei/ Hisara Sato, sopranos
(8/10) |
Pinkerton |
Scott Piper/ Luca Lombardo, tenors
(8/10) |
Suzuki |
Liang Ning, mezzo-soprano |
Sharpless |
Luis Ledesma, baritone |
Goro |
Yuichi Narumi, tenor |
Prince Yamadori |
Yoshiyuki Amagaya, baritone |
The Bonze |
Kang Liang Peng, bass |
Kate Pinkerton |
Julie Nesrallah, mezzo-soprano |
The Imperial Commissioner |
Chikara To, baritone |
Etc. |
|
Set Designer: Naoji Kawaguchi
Costume Designer: Kikuko Ogata
Lighting Designer: Yasuo Okuhata
Choreographer: Shasen Tachibana
Chorus Master: Mitsugi Oikawa
Stage Manager: Kiminori Sato
Assistant Stage Director: Natsuko Ikeyama
Cultural Affairs Bureau of the Macao SAR
Government/ The Japan Opera Foundation
|
Supported by the Agency for Cultural Affairs of the Government of Japan |
Sponsored by |
|
One of the world's most popular operas, Madama
Butterfly passionately explores the consequences of obsessive devotion.
Pinkerton, a U.S. Navy officer in Japan, contracts what he considers a temporary
marriage to Cio-Cio-San, called Butterfly, who renounces religion and family in
her adoration for him. When Pinkerton leaves for America, Butterfly blissfully
ignores warnings of his unfaithfulness and awaits his return, even turning down
a marriage proposal from Yamadori, a rich Japanese businessman. With all avenues
of escape closed to her, she is shattered when Pinkerton returns with an
American wife. Butterfly ends her unbearable misery with her father's sword,
thus preserving her honour.
Sung in Italian, with Chinese, Portuguese and
English subtitles.